Skip to main content
The Pitch

#15 - Interview with Larry Laboe, Co-Founder of New Filmmakers LA. - Pt 2

22 min episode · 2 min read
·
Larry Laboe,Interview With Larry Laboe

Episode

22 min

Read time

2 min

Topics

Career Growth, Investing, Startups

AI-Generated Summary

Key Takeaways

  • Continuous Production: Filmmakers must constantly create new work because industry professionals care about current projects and pipeline content, not past achievements. This requires maintaining relentless momentum across writing, directing, or producing to stay competitive in the marketplace.
  • Festival Strategy: Film Freeway lists over 12,000 festivals. Filmmakers should research the 100 best-reviewed festivals category, examine which filmmakers succeeded there and why, then strategically select festivals based on specific goals like press coverage, industry connections, or audience engagement rather than submitting broadly.
  • Budget Considerations: Submission fees represent only a fraction of festival costs. Filmmakers must calculate travel expenses, accommodation for multiple days, and time investment before committing. Prioritize local festivals or those offering direct access to agents and managers when resources are limited.
  • Validation Limits: Playing at prestigious festivals like Sundance does not guarantee career success. Many past Sundance selections still lack representation or consistent work. Filmmakers must continue networking, creating new content, and pursuing opportunities regardless of previous festival achievements or accolades received.

What It Covers

Larry Laboe, co-founder of New Filmmakers LA, shares strategic advice for emerging filmmakers on building sustainable careers, selecting film festivals wisely, and maintaining momentum in an oversaturated competitive industry landscape.

Key Questions Answered

  • Continuous Production: Filmmakers must constantly create new work because industry professionals care about current projects and pipeline content, not past achievements. This requires maintaining relentless momentum across writing, directing, or producing to stay competitive in the marketplace.
  • Festival Strategy: Film Freeway lists over 12,000 festivals. Filmmakers should research the 100 best-reviewed festivals category, examine which filmmakers succeeded there and why, then strategically select festivals based on specific goals like press coverage, industry connections, or audience engagement rather than submitting broadly.
  • Budget Considerations: Submission fees represent only a fraction of festival costs. Filmmakers must calculate travel expenses, accommodation for multiple days, and time investment before committing. Prioritize local festivals or those offering direct access to agents and managers when resources are limited.
  • Validation Limits: Playing at prestigious festivals like Sundance does not guarantee career success. Many past Sundance selections still lack representation or consistent work. Filmmakers must continue networking, creating new content, and pursuing opportunities regardless of previous festival achievements or accolades received.

Notable Moment

Larry reveals New Filmmakers LA ranks number 10 out of 12,000 festivals on Film Freeway's best-reviewed list, demonstrating how lesser-known festivals can provide better filmmaker experiences than prestigious names through strategic programming and genuine community support.

Know someone who'd find this useful?

Episode Transcript

Welcome to Pitch. For this episode, Leah and I are gonna finish our chat with Larry Labeaux, cofounder and executive director of New Filmmakers Los Angeles, an organization championing filmmakers worldwide. If you haven't listened to the first part of our conversation with Larry, make sure to check that out. Today, we're gonna start where we left off. Larry is outlining part of what makes being a filmmaker just so difficult. Then we get into things we can do as filmmakers to ensure we're staying diligent about our careers and our progress in the industry. Let's jump right in. It's like filmmakers, you know, like, whether you're a writer or you're a director or you're a producer, you're pretty much, like, always starting your next thing. You know? And that means that you're always trying to create new opportunities for yourself, whether it's a project that you're writing or a show that you're trying to get staff done as a writer or a director or a feature that you want to direct that you're trying to help put together or you're a producer trying to raise money. It's kinda like you're always trying to reinvent yourself and kick start your next thing. And I think if you don't have that spirit of Mhmm. Go get it, go get it, go get it, as I mentioned in the beginning, it's just so competitive. It's almost like you have to have that curiosity. You have to, you know, wanna be a a a creative collaborator. You have to wanna really want it all the time or somebody else will take it. You know? I wanna piggyback off of what you're saying and ask you, what are three things that you would recommend for a new filmmaker to get noticed? Like, what are proactive things that they can be doing? Make stuff, first and foremost. Definitely never ever ever stop making things because, you know, people don't wanna know what you just did. They wanna know what you are doing and what you have in the pipeline. So I think that's really important. If you are focused on writing and you're a writer, I would say select, you know, screenplay competitions can be very important. Nickel Fellowship, you know, the the the sort of ones that really are paid attention to by the industry. Mhmm. I think if you're someone who's creating content, you're a producer, director, writer, I think film festivals can be amazing if you are very strategic about them, because I think people play at film festivals for very different reasons, and I think film festivals can be helpful, in many different ways depending on the festival. I think some festivals are really great for attending and having a fun experience and being very audience focused. I think others are very good about being a festival that gets you in the press. I think others are festivals that really help bridge opportunities for you with industry professionals, and I think …

Get the full transcript (3,056 words) + summary by email — free

One-time email with the complete transcript and AI summary of this episode. No account needed.

One email, no spam. We’ll also show you what SignalCast does.

Browse all The Pitch transcripts →

You just read a 3-minute summary of a 19-minute episode.

Get The Pitch summarized like this every Monday — plus up to 2 more podcasts, free.

Pick Your Podcasts — Free

Keep Reading

Books, tools, and gear mentioned in this episode

SignalCast may earn commission on purchases via these links.

Tools

  • Film FreewayRecommended
    Film Freeway lists over 12,000 festivals. Filmmakers should research the 100 best-reviewed festivals category, examine which filmmakers succeeded there and why, then strategically select festivals based on specific goals like press coverage, industry connections, or audience engagement rather than submitting broadly.

company

  • Larry Laboe, co-founder of New Filmmakers LA, shares strategic advice for emerging filmmakers on building sustainable careers, selecting film festivals wisely, and maintaining momentum in an oversaturated competitive industry landscape.

More from The Pitch

We summarize every new episode. Want them in your inbox?

Similar Episodes

Related episodes from other podcasts

Explore Related Topics

This podcast is featured in Best Startup Podcasts (2026) — ranked and reviewed with AI summaries.

Read this week's Investing & Markets Podcast Insights — cross-podcast analysis updated weekly.

You're clearly into The Pitch.

Every Monday, we deliver AI summaries of the latest episodes from The Pitch and 192+ other podcasts. Free for one show.

Start My Monday Digest

No credit card · Unsubscribe anytime