#2452 - Roger Avary
Episode
191 min
Read time
3 min
Topics
Leadership, Product & Tech Trends, Science & Discovery
AI-Generated Summary
Key Takeaways
- ✓Film vs Digital Production Economics: Film production required burning 4 cents per frame, forcing meticulous preparation where actors stayed in trailers until cameras rolled and directors captured lightning in a bottle without immediate playback. Digital cinema enables continuous rolling with video village setups where executives watch color-corrected monitors in real-time, eliminating the moment's intensity and allowing directors to restart takes mid-performance, fundamentally changing actor preparation and on-set energy dynamics.
- ✓Orson Welles Technical Innovation (1941): Citizen Kane's opening tracking shot required digging holes in studio concrete to position cameras at unprecedented low angles, while maintaining exposure balance between interior lighting and exterior snow scenes with a child actor visible through windows. Welles created depth and movement impossible with standard equipment, using techniques like flying tables into frame during camera moves, demonstrating innovation that remains advanced 80 years later despite primitive technology.
- ✓Lens Flare Compensation Strategy: Digital sensors create flatter images because light strikes the golden sensor and bounces back through glass, unlike film where light travels through glass and exposes silver acetate in darkness. Modern filmmakers now shoot 180 degrees into the sun to create lens flare, artificially adding depth where digital capture provides none, reversing the traditional practice of keeping sunlight behind the camera to illuminate subjects properly.
- ✓Netflix White Paper Mandates: Streaming platforms provide filmmakers with specific technical requirements including approved camera lists, processing labs, and story beat timing based on audience analytics showing reduced attention spans. Ben Affleck referenced these mandates that dictate narrative pacing, extending beyond Syd Field's screenplay structure formula (inciting incident by page 7, first act turn by page 30) to control both technical specifications and storytelling rhythms for platform optimization.
- ✓Star Trek's Technological Prophecy: Daily viewing of original series through Enterprise episodes demonstrates how Star Trek predicted modern technology including communicators becoming smartphones, voice-activated computers becoming Siri and Alexa, and aspirational tech driving real-world innovation. The show explored gender identity and social issues through quality storytelling in episodes like Riker falling for a member of a single-gender species, contrasting with Alex Kurtzman's Discovery and Starfleet Academy prioritizing corporate propaganda over character development.
What It Covers
Screenwriter Roger Avary and Joe Rogan explore filmmaking techniques from Orson Welles to Ridley Scott, examining how digital cinema changed production workflows, the technical differences between film and video capture, Star Trek's cultural impact across generations, and controversial theories about historical manipulation, elite power structures, and the Epstein files revelations that society appears to ignore.
Key Questions Answered
- •Film vs Digital Production Economics: Film production required burning 4 cents per frame, forcing meticulous preparation where actors stayed in trailers until cameras rolled and directors captured lightning in a bottle without immediate playback. Digital cinema enables continuous rolling with video village setups where executives watch color-corrected monitors in real-time, eliminating the moment's intensity and allowing directors to restart takes mid-performance, fundamentally changing actor preparation and on-set energy dynamics.
- •Orson Welles Technical Innovation (1941): Citizen Kane's opening tracking shot required digging holes in studio concrete to position cameras at unprecedented low angles, while maintaining exposure balance between interior lighting and exterior snow scenes with a child actor visible through windows. Welles created depth and movement impossible with standard equipment, using techniques like flying tables into frame during camera moves, demonstrating innovation that remains advanced 80 years later despite primitive technology.
- •Lens Flare Compensation Strategy: Digital sensors create flatter images because light strikes the golden sensor and bounces back through glass, unlike film where light travels through glass and exposes silver acetate in darkness. Modern filmmakers now shoot 180 degrees into the sun to create lens flare, artificially adding depth where digital capture provides none, reversing the traditional practice of keeping sunlight behind the camera to illuminate subjects properly.
- •Netflix White Paper Mandates: Streaming platforms provide filmmakers with specific technical requirements including approved camera lists, processing labs, and story beat timing based on audience analytics showing reduced attention spans. Ben Affleck referenced these mandates that dictate narrative pacing, extending beyond Syd Field's screenplay structure formula (inciting incident by page 7, first act turn by page 30) to control both technical specifications and storytelling rhythms for platform optimization.
- •Star Trek's Technological Prophecy: Daily viewing of original series through Enterprise episodes demonstrates how Star Trek predicted modern technology including communicators becoming smartphones, voice-activated computers becoming Siri and Alexa, and aspirational tech driving real-world innovation. The show explored gender identity and social issues through quality storytelling in episodes like Riker falling for a member of a single-gender species, contrasting with Alex Kurtzman's Discovery and Starfleet Academy prioritizing corporate propaganda over character development.
- •Fomenko's New Chronology Theory: Russian mathematician Anatoly Fomenko's six-volume series proposes that approximately 1,000 years were added to historical timelines to justify land claims, suggesting Rome fell around 1492 rather than 476 CE, making the Salem witch trials contemporaneous with the Inquisition and Columbus discovering America when Rome actually collapsed. The theory explains the Dark Ages as fabricated rather than a genuine civilizational flatline, with history rewritten by Jesuits and Vatican collaboration.
- •Building 7 Collapse Anomaly: World Trade Center Building 7 housed CIA offices (floor 25), Secret Service (floors 9-10), Department of Defense, IRS, SEC files, and 24,000 gallons of diesel fuel, collapsing at free-fall speed into its base despite only fire damage and debris impact. The collapse occurred one day after Donald Rumsfeld announced trillions in unaccounted Pentagon spending, destroying federal investigation files and SEC cases, with structural engineers noting the collapse pattern matches controlled demolition rather than fire-induced progressive failure.
Notable Moment
Avary reveals he offered to write for Star Trek Discovery at scale wages simply to contribute to the franchise he watches daily with his family, cycling chronologically through all series. Alex Kurtzman rejected him because the showrunner specifically avoided hiring anyone with fondness for original Star Trek, wanting to create something entirely new, resulting in what Avary considers the destruction of the franchise for an entire generation.
Episode Transcript
Joe Rogan podcast. Check it out. The Joe Rogan experience. Showing my day. Joe Rogan podcast by night, all day. Come on, Roger. You hit the head over there? Yeah. Fuck it. Fuck it. Fuck it. Go for it. Fuck it. We'll do it live. Yeah. Do it live. That's a classic. Yeah. That's a classic look behind the scenes. Do it live. Fucking crazy. Crazy people telling you the news. Yeah. That that's good. And the the William Shatner one where, you know, the, studio guy, you know, he says, Shatner is doing some ADR for, the cartoon, the Star Trek cartoon. And he says, you know, he uses the word sabotage. And he gets corrected by the by the studio guys, like, Bill, it's pronounced sabotage. Please don't correct me. It disgusts me. It sickens me. And you say sabotage. I say sabotage. I absolutely love William Shatner as best. My favorite ones are the or excuse me. Fuck. Why can't I remember his name? Rosebud. Orson Welles. Jesus Christ. Orson Welles. What happened? I just started saying it. I know. What happened? My brain just said, nope. No access. When Orson Welles is doing the Gallo wine commercials. Oh, yeah. Remember those days? Like Yeah. Yeah. Orson Welles. He's on the wine before it's time. I know. And then he was like Everything was like a a a a a exhaustive sucking of air to come in to speak. But then he was making fun of how shitty the wine was in between takes. Like, he was angry. Yeah. There is a CD that you can get. I can't remember what it's called, but I have them at home. And it's like all these radio things like that where just when celebrities, you know, lose it on, while doing voice over and ADR. It's hilarious. Orson Welles is a crazy story. Right? Because when he made that movie, when he made Citizen Kane, which was about William Randolph Hearst Yeah. William Randolph Hearst essentially shut down one of the most talented guys alive at the time. Shut down his career. Yeah. Because the movie was kind of an insult about you know, the whole thing about Rosebud is that's the name of his girlfriend's clitoris. Oh, really? That that was his nickname for her clitoris. And so Orson Welles was doing a kind of very, like, he like, he was jabbing at him in a very low level way. Like, really? Yeah. Rosebud. How did he know that that was the nickname of his girlfriend's clitoris? People in Hollywood know these things. Oh, boy. Word gets around. Word gets around. I would keep that one just to her. Yeah. Who told? Yeah. That's crazy. But, I mean, if you go back to, like, War of Worlds and then Citizen Kane, I mean, this guy was a dynamo, and then they shut him down. Well, yeah. And he was doing things that nobody else would do. It's like …
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Books
- New ChronologyBy guest
by Anatoly Fomenko
“Russian mathematician Anatoly Fomenko's six-volume series proposes that approximately 1,000 years were added to historical timelines to justify land claims, suggesting Rome fell around 1492 rather than 476 CE.”
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