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The Daily (NYT)

Sunday Special: The Best Movies of 2025

54 min episode · 2 min read
·

Episode

54 min

Read time

2 min

Topics

Productivity, Relationships

AI-Generated Summary

Key Takeaways

  • Original film success: Warner Brothers scored with non-IP films including One Battle After Another (200M worldwide), Sinners (280M domestic), and Weapons, proving audiences respond to auteur-driven original stories when studios take creative risks on established directors like Paul Thomas Anderson and Ryan Coogler.
  • Box office volatility: October 2025 marked the worst box office performance in thirty years, with star-driven films from Margot Robbie, Colin Farrell, and Austin Butler all flopping, demonstrating that traditional movie star power no longer guarantees theatrical success in the streaming era.
  • Family film scarcity: Zootopia 2 and Minecraft became massive hits partly because parents desperately need theatrical options for children, yet studios release far fewer kids' movies than previous decades, creating untapped demand whenever quality family content reaches theaters with consistent weekend availability.
  • Theatrical champions: Directors James Cameron, Christopher Nolan, and James Gunn remain committed to theatrical-first releases with films like Avatar Fire and Ash and Superman, positioning themselves as essential defenders of cinema exhibition against streaming platforms prioritizing direct-to-platform content strategies.

What It Covers

The New York Times critics review 2025's best films, focusing on Warner Brothers' exceptional year with hits like One Battle After Another and Sinners, while examining the studio's uncertain future amid potential acquisition by Netflix or Paramount.

Key Questions Answered

  • Original film success: Warner Brothers scored with non-IP films including One Battle After Another (200M worldwide), Sinners (280M domestic), and Weapons, proving audiences respond to auteur-driven original stories when studios take creative risks on established directors like Paul Thomas Anderson and Ryan Coogler.
  • Box office volatility: October 2025 marked the worst box office performance in thirty years, with star-driven films from Margot Robbie, Colin Farrell, and Austin Butler all flopping, demonstrating that traditional movie star power no longer guarantees theatrical success in the streaming era.
  • Family film scarcity: Zootopia 2 and Minecraft became massive hits partly because parents desperately need theatrical options for children, yet studios release far fewer kids' movies than previous decades, creating untapped demand whenever quality family content reaches theaters with consistent weekend availability.
  • Theatrical champions: Directors James Cameron, Christopher Nolan, and James Gunn remain committed to theatrical-first releases with films like Avatar Fire and Ash and Superman, positioning themselves as essential defenders of cinema exhibition against streaming platforms prioritizing direct-to-platform content strategies.

Notable Moment

The discussion reveals Zach Cregger's horror film Weapons generated such intense audience reactions that viewers stood and applauded during home screenings, while wine bars played it for patrons, demonstrating how suspense films create communal viewing experiences beyond traditional theaters.

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Episode Transcript

I'm Gilbert Cruz, and this is the Sunday special. We're spending this last couple of episodes of the year looking back on some of the big cultural moments of 2025. Today, we're talking movies. I have two extremely knowledgeable colleagues here with me. Alyssa Wilkinson is a movie critic at The Times. Hello, Alyssa. Hello, Gilbert. And Nicole Sperling reports on on the movie business, and she joins us from Los Angeles very appropriately. Welcome, Nicole. Hello. How's it going, guys? It is going great. So in the grand and very long tradition of movie podcasts, I am going to start with an, incendiary question that probably has no clear answer. Is this the last year for movies? No. It better not be. We'll be out of a coma. Gilbert. Absolutely not. The pipeline is full. We have no idea what will happen when this massive deal closes, whoever becomes the buyer, and we can, of course, talk about all that stuff. But, no, we've got movies. People go to movies. It still is a business. Love movies. People love movies. We all love movies. Nicole, you're referring to the deal. When you say the deal, you're talking about the Warner Brothers deal. Who's gonna end up with Warner Brothers in the end? Is it gonna be Netflix? Is it gonna be Paramount? We're definitely gonna talk about that. But But I wanna spend most of this episode talking about the actual, actual movies, and we'll get into, Wither Netflix. Alyssa, you put out your list of the best movies of 2025. So I wanna start with your number one movie. Possibly, it was also my number one movie even though no one cares about my list. This is One Battle After Another. Pat an eyelash. Good morning. There are no hands on the clock. Why? Because they're not needed. What time is it? You know, I don't I don't I don't remember that part. Alright? Let let let's just not nitpick over the password stuff. Look. This is Bob Ferguson. Alright? Hall Timeless Anderson's film, starring Leonardo DiCaprio, Sean Penn, Tianna Taylor, Chase Infinity. Tell us very quickly what the movie is about, and then tell us why you loved it. So One Battle After Another is about a lot of things. But I guess, in brief, it's about a group of revolutionaries who wind up going into hiding. And then it kind of jumps forward, and it's about the daughter of one of the revolutionaries, kind of gets embroiled in a a I don't I don't wanna spoil it for people, gets embroiled in something. I'm not gay, if that's what you're saying. I didn't say that. I'm not a homosexual. I did not say that, but I see the lips in your shoes. No. You are a smartass. You are. And there's a lot of running around that occurs. Really, what it's about, as the name kind of suggests, is that every generation has to fight its …

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  • Warner Brothers' exceptional year with hits like One Battle After Another and Sinners, while examining the studio's uncertain future amid potential acquisition by Netflix or Paramount.
  • Zootopia 2 and Minecraft became massive hits partly because parents desperately need theatrical options for children, yet studios release far fewer kids' movies than previous decades.
  • Directors James Cameron, Christopher Nolan, and James Gunn remain committed to theatrical-first releases with films like Avatar Fire and Ash and Superman, positioning themselves as essential defenders of cinema exhibition.
  • Zootopia 2 and Minecraft became massive hits partly because parents desperately need theatrical options for children, yet studios release far fewer kids' movies than previous decades.
  • Warner Brothers scored with non-IP films including One Battle After Another (200M worldwide), Sinners (280M domestic), and Weapons, proving audiences respond to auteur-driven original stories.
  • Warner Brothers scored with non-IP films including One Battle After Another (200M worldwide), Sinners (280M domestic), and Weapons, proving audiences respond to auteur-driven original stories.
  • Directors James Cameron, Christopher Nolan, and James Gunn remain committed to theatrical-first releases with films like Avatar Fire and Ash and Superman, positioning themselves as essential defenders of cinema exhibition.

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