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The Pitch

#18 - Leah and Angel Interview Geoffrey Calhoun - Pt 1

29 min episode · 2 min read
·
Geoffrey Calhoun,Leah St. Marie

Episode

29 min

Read time

2 min

Topics

Career Growth, Fundraising & VC, Sales & Revenue

AI-Generated Summary

Key Takeaways

  • Story Architecture Foundation: Build scripts from concept (core idea), then theme (moral meaning), then character as living embodiment of theme, with supporting characters as thematic variations and villain as antithesis—this pyramid structure creates depth beyond surface-level ideas.
  • Timeline Reality Check: Expect seven to ten years of serious, consistent work before making it as a screenwriter. The craft requires time, talent (which can be developed), and tenacity—quitting before mastering fundamentals guarantees failure in this competitive field.
  • Genre Flexibility Strategy: Avoid limiting yourself to one genre because market demand shifts unpredictably. Study multiple genres by breaking down their specific beats and mechanisms, then bridge between related genres (horror to horror-comedy to comedy) to expand marketability and survive industry cycles.
  • Pitching Beyond Concept: Pitch yourself and your personal connection to the story, not just the script idea. Explain why you specifically wrote this material and what unique perspective you bring—hitting decision-makers on a human level opens more doors than concept alone.

What It Covers

Geoffrey Calhoun, dyslexic screenwriter turned bestselling author and instructor, shares his twenty-year journey from accidental writer to craft expert, covering story structure fundamentals, pitching strategies, and sustainable career-building approaches for screenwriters.

Key Questions Answered

  • Story Architecture Foundation: Build scripts from concept (core idea), then theme (moral meaning), then character as living embodiment of theme, with supporting characters as thematic variations and villain as antithesis—this pyramid structure creates depth beyond surface-level ideas.
  • Timeline Reality Check: Expect seven to ten years of serious, consistent work before making it as a screenwriter. The craft requires time, talent (which can be developed), and tenacity—quitting before mastering fundamentals guarantees failure in this competitive field.
  • Genre Flexibility Strategy: Avoid limiting yourself to one genre because market demand shifts unpredictably. Study multiple genres by breaking down their specific beats and mechanisms, then bridge between related genres (horror to horror-comedy to comedy) to expand marketability and survive industry cycles.
  • Pitching Beyond Concept: Pitch yourself and your personal connection to the story, not just the script idea. Explain why you specifically wrote this material and what unique perspective you bring—hitting decision-makers on a human level opens more doors than concept alone.

Notable Moment

After receiving brutal feedback suggesting he quit screenwriting, Calhoun sat dejected in a bar when costumed Star Wars characters randomly entered during an unannounced theme night, playing cantina music—a coincidental sign that convinced him to persist with his passion.

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Episode Transcript

Welcome to another episode of Pitch, Connecting Storytellers with the World. I'm Leah St. Marie. And I'm Angel. And today's guest is Jeffrey d Calhoun, best selling author of The Guide for Every Screenwriter and creator and host of The Successful Screenwriter podcast and whose bio on IMDB says that he's an accidental screenwriter. Why don't you tell us a little bit about that? Hey, guys. Thanks for having me on. Well, I actually, started screenwriting as a vet, well over I wanna say, it's going on, like, ten, fifteen years ago. It's it's it's been a long time, and, I'm actually dyslexic. So, writing was never gonna be something I ever considered doing. I had a friend who was an editor on a on a kids' show, and he had put out an open challenge to a bunch of people and said, hey. I wanna do I wanna try screenwriting. Will anybody write a a script, and then we can see who wins. And winner gets, like, dinner or lunch or something. No one took him up on it, and I felt bad for the guy. So it's like, I'll I'll do it. And so I took him up on it and, learned how to read a script or learned how to write a script, and, I just I fell in love with it. I just like, this is this is my voice. Like, this is I can't sing. I can't dance. I can't draw anything, but damn it. I think I can write a script. So that's and from there, I kinda got bit by the bug, and it didn't help when my wife found the script on the kitchen table and Dare said to me, this is kinda good. Now when you say you learned how to write a script and then just did it Mhmm. What was the I feel like people always gloss over, like, details. Like, oh, I learned how to do something, and then, like, the next thing you know. What was your timeline and your process for that initial learning before you then wrote that first script? That's an awesome question. Alright. It would take being dyslexic, it would take me eight hours to write one page. And now I can write 22 to a few more pages a night. So it was a long grueling process, but I thought it was, like, it was so cool. Like, I just, like, this is so neat. And then I didn't even consider it as something I could do as a career. I mean, my first five, six years was just me writing on my own, having fun as if you were, you know, a poet just randomly being inspired in writing poetry. I was doing that with screenwriting. And then one day, this really sweet old lady asked me if I love what I did for a living, and I didn't have an answer for her because I didn't. And she said, you …

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