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The Rewatchables

Bill’s 50 Most Rewatchable Movies of the 21st Century | With Sean Fennessey and Chris Ryan

97 min episode · 2 min read
·

Episode

97 min

Read time

2 min

Topics

Productivity, Relationships, Investing

AI-Generated Summary

Key Takeaways

  • Rewatchability versus quality distinction: Simmons separates movies he's actually rewatched most from critically acclaimed favorites, placing accessible films like Just Go With It and A Lot Like Love alongside prestige titles, demonstrating that comfort viewing patterns differ significantly from one-time theatrical experiences or critical rankings.
  • Family dynamics shape viewing patterns: Movies must work for multiple household members to achieve high rewatch status, with Simmons excluding Nancy Meyers films his wife watches alone and including Devil Wears Prada at number one because both wife and daughter love it, creating shared viewing opportunities that drive repeat watches.
  • Era bias favors 2001-2010 releases: Films from the first decade of the century dominate the list because they've had more time to accumulate rewatches, while post-2019 releases like Once Upon a Time in Hollywood feel too recent to properly evaluate, suggesting rewatchability requires years of potential viewing opportunities to establish patterns.
  • Jump-in-anywhere structure increases rewatchability: Movies with strong individual sequences rather than complex narratives rank higher, with films like Flight, Wolf of Wall Street, and Limitless succeeding because viewers can start at any point and enjoy specific scenes without needing full context or commitment to complete viewing.
  • Comedies require different evaluation criteria: Comedy rewatchables prove harder to discuss on podcasts because analysis defaults to repeating jokes rather than examining craft, yet comedies dominate Simmons' top 20 with Anchorman, Step Brothers, Superbad, and Bridesmaids all ranking above critically acclaimed dramas due to pure entertainment value and quotability.

What It Covers

Bill Simmons reveals his personal ranking of the 50 most rewatchable movies from 2001-2024, explaining his methodology that prioritizes actual rewatch frequency over critical acclaim, with family viewing habits and jump-in-anytime appeal as key factors.

Key Questions Answered

  • Rewatchability versus quality distinction: Simmons separates movies he's actually rewatched most from critically acclaimed favorites, placing accessible films like Just Go With It and A Lot Like Love alongside prestige titles, demonstrating that comfort viewing patterns differ significantly from one-time theatrical experiences or critical rankings.
  • Family dynamics shape viewing patterns: Movies must work for multiple household members to achieve high rewatch status, with Simmons excluding Nancy Meyers films his wife watches alone and including Devil Wears Prada at number one because both wife and daughter love it, creating shared viewing opportunities that drive repeat watches.
  • Era bias favors 2001-2010 releases: Films from the first decade of the century dominate the list because they've had more time to accumulate rewatches, while post-2019 releases like Once Upon a Time in Hollywood feel too recent to properly evaluate, suggesting rewatchability requires years of potential viewing opportunities to establish patterns.
  • Jump-in-anywhere structure increases rewatchability: Movies with strong individual sequences rather than complex narratives rank higher, with films like Flight, Wolf of Wall Street, and Limitless succeeding because viewers can start at any point and enjoy specific scenes without needing full context or commitment to complete viewing.
  • Comedies require different evaluation criteria: Comedy rewatchables prove harder to discuss on podcasts because analysis defaults to repeating jokes rather than examining craft, yet comedies dominate Simmons' top 20 with Anchorman, Step Brothers, Superbad, and Bridesmaids all ranking above critically acclaimed dramas due to pure entertainment value and quotability.

Notable Moment

Simmons places Miami Vice at number six despite Colin Farrell having no memory of making the film when they interviewed him for the podcast, with Simmons defending the movie as having aged incredibly well visually and thematically, representing a generational divide where middle-aged men celebrate what others dismiss.

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Episode Transcript

This podcast is sponsored by PayPal. Let's talk holiday shopping. Make the most of your money with PayPal. They give you the flexibility to pay in four. No fees. No interest. So whether it's the must have toy or a tiered cheese board, PayPal helps you make the most of your money this holiday. Subject to approval. Learn more at paypal.com slash payin for PayPal Inc, n m l s, nine one zero four five seven. This episode of the rewatchables is presented by State Farm. Whether you're debating watching that award winning sports drama or rewatching your comfort buddy comedy movie for the tenth time, choices are important. When it comes to choosing coverage, a State Farm agent can help you find options that are right for you. Go online at statefarm.com or use the award winning app to get help from one of their local agents like a good neighbor. State Farm is there. Alright. Taping this on a Friday afternoon. Chris Ryan is here. You've seen him on the watch. Mhmm. You've seen him in a bunch of ringer properties. Uh-huh. Sean Fantaissey Hi. Host of the big picture. Mystery project. I just told you to show up. I didn't tell you what it was about. No computers. No notes. So what what did you think this was? There was, there's always the possibility of surprise guest with you. You you sometimes dangle a surprise guest. I have to worried about Chalamet. Like, he was very in England as far as I know. Yeah. So I I was pretty certain he wasn't gonna be here. Also, if Tim Chalamet came on the show, I think you'd keep him all to yourself. Right? You guys have a lot to talk about. Who knows? I'm a pretty generous guy. And then the other possibility I was considering was doing a rewashables blind, not knowing what we were gonna do. Always talked about it. It's been almost exactly ten years since we did heat in my little pool house. Or a rewatchable's mailbag? Really good guess. What'd you think, Sean? I thought you were shooting a porn here, and you wanted us to see how it works. And I I I've never been on a porn set, so I thought that would've been set. Star heated rivalry. Pod studio porn yeah. Heated rivalry podcast. I honestly have no idea. I thought you mentioned this when we were here with Cameron Crowe last week. You're like, I got something I wanna do with you. Can you stick around afterwards? And then we ran long. It didn't work out. That was a different idea. Okay. Yeah. This one needed to idea I have was merch haul. Like, that you had some sort of merchandise haul that you wanted to show off and unbox or something. Merch haul? Unboxing. Like, a eBay haul or or maybe some physical media or something like that. No. None none of those are the answers. Five year …

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  • with Simmons excluding Nancy Meyers films his wife watches alone and including Devil Wears Prada at number one because both wife and daughter love it, creating shared viewing opportunities that drive repeat watches.
  • yet comedies dominate Simmons' top 20 with Anchorman, Step Brothers, Superbad, and Bridesmaids all ranking above critically acclaimed dramas due to pure entertainment value and quotability.
  • placing accessible films like Just Go With It and A Lot Like Love alongside prestige titles, demonstrating that comfort viewing patterns differ significantly from one-time theatrical experiences or critical rankings.
  • Movies with strong individual sequences rather than complex narratives rank higher, with films like Flight, Wolf of Wall Street, and Limitless succeeding because viewers can start at any point and enjoy specific scenes without needing full context or commitment to complete viewing.
  • placing accessible films like Just Go With It and A Lot Like Love alongside prestige titles, demonstrating that comfort viewing patterns differ significantly from one-time theatrical experiences or critical rankings.
  • yet comedies dominate Simmons' top 20 with Anchorman, Step Brothers, Superbad, and Bridesmaids all ranking above critically acclaimed dramas due to pure entertainment value and quotability.
  • yet comedies dominate Simmons' top 20 with Anchorman, Step Brothers, Superbad, and Bridesmaids all ranking above critically acclaimed dramas due to pure entertainment value and quotability.
  • while post-2019 releases like Once Upon a Time in Hollywood feel too recent to properly evaluate, suggesting rewatchability requires years of potential viewing opportunities to establish patterns.

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