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The Pitch

#26 - Interview with Ed Horowitz - Pt 3 of 3

44 min episode · 2 min read
·

Episode

44 min

Read time

2 min

Topics

Leadership, Software Development, Psychology & Behavior

AI-Generated Summary

Key Takeaways

  • Creative block management: When stuck, engage hands with guitar or physical activity to occupy conscious brain while subconscious solves problems. Write one minute of unfiltered thoughts daily, then delete without reading to separate creation from judgment and maintain flow.
  • Professional writing discipline: Write minimum four to six hours daily, Monday through Saturday, in dedicated space facing wall not window. Establish morning rituals like coffee to signal brain it's creative time. Rewrite previous ten pages each morning before generating new material.
  • Baseball batting average principle: Great hitters succeed three out of ten times, yet approach every at-bat aiming for home runs. Writers produce quality work only 30 percent of the time but must show up consistently, knowing bad days are statistically inevitable and necessary.
  • Four-act structure framework: Break scripts into four equal 15-page acts instead of traditional three-act structure with oversized second act. This creates manageable chunks with clear midpoints, making the writing process less overwhelming and more mathematically precise for pacing and structure.

What It Covers

Screenwriter Ed Horowitz concludes his three-part interview discussing daily writing rituals, overcoming creative blocks, the importance of networking in modern screenwriting, and why writers must embrace discomfort to succeed professionally.

Key Questions Answered

  • Creative block management: When stuck, engage hands with guitar or physical activity to occupy conscious brain while subconscious solves problems. Write one minute of unfiltered thoughts daily, then delete without reading to separate creation from judgment and maintain flow.
  • Professional writing discipline: Write minimum four to six hours daily, Monday through Saturday, in dedicated space facing wall not window. Establish morning rituals like coffee to signal brain it's creative time. Rewrite previous ten pages each morning before generating new material.
  • Baseball batting average principle: Great hitters succeed three out of ten times, yet approach every at-bat aiming for home runs. Writers produce quality work only 30 percent of the time but must show up consistently, knowing bad days are statistically inevitable and necessary.
  • Four-act structure framework: Break scripts into four equal 15-page acts instead of traditional three-act structure with oversized second act. This creates manageable chunks with clear midpoints, making the writing process less overwhelming and more mathematically precise for pacing and structure.

Notable Moment

Horowitz describes driving to buy a motorcycle when his sister called about a friend killed on a bike, then the seller had a cast from a motorcycle accident. He recognized the universe telling him a story with the ending being his death, so he canceled the purchase.

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Episode Transcript

The holidays mean more travel, more shopping, more time online, and more personal info in more places that could expose you more to identity theft. But LifeLock monitors millions of data points per second. If your identity is stolen, our US based restoration specialists will fix it guaranteed or your money back. Don't face drained accounts, fraudulent loans, or financial losses alone. Get more holiday fun and less holiday worry with LifeLock. Save up to 40% your first year. Visit lifelock.com/podcast. Terms apply. Welcome to Pitch. For this week's episode, we're gonna finish our chat with screenwriter and playwright, Ed Horowitz, who also happens to be an ASCAP songwriter and a pretty darn good guitar player. That's right, Ed is also a musician, and he invited me to come sit in with his band just last night. It was a solid group of great people and we jammed for a few hours. I had a blast, so thanks again everyone. For today's episode, we're gonna pick up where we left off from last week. Leah is pointing out what she thinks all writers have in common. Ed's gonna chime in with his thoughts. Let's jump right in. One of the character traits that all writers have in common, and maybe I'm being idealistic here, but you were telling a story about telling your father that you were going to go to school and you were going to be a writer, you're gonna be a playwright, you're going to go in scripts. And his answer to you, you ignored because you had this level of personal faith. And I think it's that level of personal faith that buoys you past that midpoint crisis. And I think it's I think it's inherit almost because we're going to move past it and we're going to drive towards what we think is the end of whatever the story is going to be. So it's this commonality between all of us that we have that despite seeing the blank page and the crisis on the page, we're going to move past it. We're gonna fight. We're gonna grind. I I completely agree. There are two there are two aspects of that. There's a thing called, it's neoteny, and I don't know how to spell it. N e o t a n y, I think. The the the the the loose definition is Peter Principle. But what it really is, and every artist I know in every arena has this, it's the ability to have a childlike view of the world and be in awe of the world. And and as adults, this gets beat out of us by life. So what happens when you try to be a writer when you're an adult? Actually or there's a famous book called How to Play Pianos as an Adult because they've done studies that adults have a very hard time learning how to play piano for the same reason. When you are young, you just do it …

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